{"id":1854,"date":"2017-12-11T12:56:52","date_gmt":"2017-12-11T12:56:52","guid":{"rendered":"http:\/\/wordpress.satellite.mmu.ac.uk\/northernquota-old\/2017\/12\/11\/review-cribs-gorilla-091217\/"},"modified":"2017-12-11T12:56:52","modified_gmt":"2017-12-11T12:56:52","slug":"review-cribs-gorilla-091217","status":"publish","type":"post","link":"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/review-cribs-gorilla-091217\/","title":{"rendered":"REVIEW: The Cribs, Gorilla, 09.12.17"},"content":{"rendered":"

There\u2019s a tendency to unfairly lump The Cribs<\/strong> in with the \u2018landfill indie\u2019 of the mid-noughties \u2013 a Guardian article earlier this year mentioned in them in the same vein as The Wombats and The View, as a sort of comeback act, when they announced a tour to celebrate the ten-year anniversary of Men\u2019s Needs, Women\u2019s Needs, Whatever. <\/em>Yet as the release of their seventh studio album 24-7 Rock Star Shit <\/em>in July, as well as the return of their Cribsmas tour seeing them sell out residencies in Glasgow, Manchester, Leeds and London, proves the Jarman brothers are, in fact, well and truly in their prime.<\/p>\n

Heading to Gorilla for the second date of the Manchester residency, it was impossible to know what to expect. With rotating support acts \u2013 the 9th<\/sup> saw Chester-based newcomers Peaness take the first slot, followed by Newcastle\u2019s Demob Happy \u2013 that prove the Cribs\u2019 sublime taste in new music, as well as no planned setlists, they ensured no two dates on the Cribsmas tour would be the same, and it made for a show which, rather than chaotic which you would expect from a lack of plan, proved the band\u2019s dedication and love for their own records, and for playing live.<\/p>\n

\"\"<\/p>\n

It proved their fans\u2019 dedication, too. There\u2019s a certain breed of Cribs fan \u2013 one I naively thought I may have been with my vague knowledge of their b-sides \u2013 who possess a dedication far beyond anything I\u2019ve seen; who know the words to every <\/em>song, be they old, firm favourites, new offerings or forgotten gems, and sing along with reckless abandon to all of them. It seemed The Cribs knew that Cribsmas is for this breed of fans, and the setlist certainly wasn\u2019t made for those who dabble in The Cribs. With the likes of \u2018Confident Men,\u2019 and \u2018Hari Kari\u2019 making an appearance, for the first time in 4 and 3 years respectively, it was a setlist made for those who\u2019ve been there for a while \u2013 who know the back catalogue.<\/p>\n

There\u2019s something odd about a setlist where it\u2019s all to play for. Usually when a band don\u2019t play your favourite it\u2019s excusable, forgivable since they never do. When it could be anything, however, it feels like a personal attack when they don\u2019t play that track you\u2019ve been dying to witness live; and when they do <\/em>play it, it feels even more special. It\u2019s hard not to sound like a gushing fan (perhaps it\u2019s easier to just accept that I am) but as the Jarman brothers stood on a stage covered in fairy lights singing \u2018Leather Jacket Love Song,\u2019 Gorilla felt like an incredibly special place to be.<\/p>\n

There was an energy, too. An energy perhaps ill-advised for a band just six dates into a 16-date tour, but one that was matched, if not surpassed, by the crowd and one that made the show truly electric.<\/p>\n

Gushing aside, as The Cribs stormed through a haphazard show (in theory but not delivery), featuring tracks from all seven album, including this year\u2019s 24-7 Rock Star Shit <\/em>which was recorded completely raw in just five days, they proved their punk ethos and that, in 2017, they\u2019re just as relevant, if not more so, than in 2005.  <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

There\u2019s a tendency to unfairly lump The Cribs in with the \u2018landfill indie\u2019 of the mid-noughties \u2013 a Guardian article earlier this year mentioned in…<\/p>\n","protected":false},"author":1216,"featured_media":1852,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[4975,1],"tags":[1431,1432,110],"class_list":["post-1854","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","category-uncategorised","tag-cribs","tag-live","tag-review"],"acf":[],"yoast_head":"\nREVIEW: The Cribs, Gorilla, 09.12.17 - The Northern Quota<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thenorthernquota.org\/review-cribs-gorilla-091217\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"REVIEW: The Cribs, Gorilla, 09.12.17 - 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