{"id":2075,"date":"2018-02-06T12:10:26","date_gmt":"2018-02-06T12:10:26","guid":{"rendered":"http:\/\/wordpress.satellite.mmu.ac.uk\/northernquota-old\/2018\/02\/06\/review-insidious-last-key\/"},"modified":"2018-02-06T12:10:26","modified_gmt":"2018-02-06T12:10:26","slug":"review-insidious-last-key","status":"publish","type":"post","link":"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/review-insidious-last-key\/","title":{"rendered":"REVIEW: Insidious: The Last Key"},"content":{"rendered":"

Despite their continually shaky critical reception from elsewhere, I\u2019ve always thought quite highly of the Insidious<\/em> films. For someone bad at gore (21-years old and I\u2019ve just about got my serial fainting at the sight of blood under control) and with a bad attention span when it comes to movies, I need something that\u2019s more of a thriller, rather than gore for gores sake<\/p>\n

The Insidious <\/em>franchise has always done this pretty well for me; offered solid storylines, kept my attention and been sufficiently scary without making me go sheet-white and making an excuse to leave.<\/p>\n

So, when Insidious: The Last Key<\/em> hit screens at the start of the year I chose it over the likes of The Darkest Hour, The Post and The Greatest Showman for my first cinema visit of 2018. A mistake, for various reasons.<\/p>\n

There\u2019s nothing worse than getting your hopes up to end up bitterly disappointed. It\u2019s why, usually, even if I\u2019m sure I\u2019ll love something I try to remain relatively cynical. Three films down the line, however, I was adamant The Last Key wouldn\u2019t disappoint. And with the same team behind it, as well as Lin Shaye returning to her role as Elise Rainer, what could go wrong? The short answer: lots.<\/p>\n

Despite starting off optimistic with a flashback to 1953 and Elise\u2019s childhood, offering explanation for the background of her ability to see ghosts, what later unfurls is far from salvageable by a 20-minute introduction.<\/p>\n

What\u2019s perhaps worst about the film is Tucker and Specs (Angus Sampson and Leigh Whannell), \u2013 the internet-famed supposed demonologists who cause Elise\u2019s return to work in Chapter 3<\/em>. Until now the pair have been bearable. Stupid, yes; useless, perhaps; but bearable. Yet come The Last Key<\/em>, and Tucker and Specs have become caricatures of themselves: bumbling, obnoxious and, at times, lecherous. It\u2019s hard to watch. A failed attempt at humour that\u2019s completely unnecessary for a horror film.<\/p>\n

Which leads into point two: it\u2019s just not scary. Now while I don\u2019t want gore, and I certainly don\u2019t want never-ending jump-scares, a few don\u2019t hurt and during a horror film I expect them. Yet it would seem that in their dedication to creating stories, which is usually a plus, the Insidious writers forgot that part. Despite the woman next to me whimpering at any indication of a scary scene (which definitely didn\u2019t help the experience) they never happened. And when they did, they faltered.<\/p>\n

There were elements of not utter crap. Some new, unexpected characters, clever twists and turns, Lin Shaye (of course), and it nicely sets up the events of the first film, but overall it falls flat. Summed up by the entire cinema essentially speaking over the film, I expect out of similar pure boredom, what should have been a climactic finale for the series ended up fizzling out. While I would suggest they try again, a surprise fifth offering to make up for this poor effort, The Last Key<\/em> makes me think they\u2019re no longer capable.<\/p>\n","protected":false},"excerpt":{"rendered":"

Despite their continually shaky critical reception from elsewhere, I\u2019ve always thought quite highly of the Insidious films. 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