{"id":9019,"date":"2023-01-03T15:51:55","date_gmt":"2023-01-03T15:51:55","guid":{"rendered":"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/?p=9019"},"modified":"2025-10-27T11:38:36","modified_gmt":"2025-10-27T11:38:36","slug":"rethinking-the-grand-tour-exhibition-explores-our-colonial-past-in-art-and-culture","status":"publish","type":"post","link":"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/rethinking-the-grand-tour-exhibition-explores-our-colonial-past-in-art-and-culture\/","title":{"rendered":"&#8216;Rethinking the Grand Tour&#8217; exhibition explores our colonial past in art and culture"},"content":{"rendered":"\n<ul class=\"wp-block-list\">\n<li>\u2018Rethinking the Grand Tour\u2019 is an exhibition which explores the cultural appropriation of the western empire<\/li>\n\n\n\n<li>The project seeks to amplify the voices behind the art and culture that have been displaced<\/li>\n\n\n\n<li>The exhibition is part of the University of Manchester and the University of Melbourne\u2019s \u2018Displacement Aesthetic\u2019 project.<\/li>\n\n\n\n<li>Featured image: &#8220;Swanlake&#8221;, by Artists Anonymous, 2007<\/li>\n<\/ul>\n\n\n\n<p>A new exhibition in <a href=\"https:\/\/manchesterartgallery.org\/event\/rethinking-the-grand-tour\/\">Manchester Art Gallery<\/a> has been opened to the public, which explores the hidden voices behind the colonialism of art and culture in Britain<\/p>\n\n\n\n<p><a href=\"https:\/\/kanikamil.com\/\">Kani Kamil<\/a>, one of the artists that took part in the exhibition, told NQ: &#8220;visiting Pergamon museum in Berlin for the first time last summer left me in tears because most of my heritage no longer belongs to Iraq, while also, just to be able to see them, I had to pay.&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"755\" src=\"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/image.png\" alt=\"\" class=\"wp-image-9064\" style=\"width:661px;height:487px\" srcset=\"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/image.png 1024w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/image-300x221.png 300w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/image-768x566.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">&#8216;Nigeria&#8217;s Exports &#8211; Gathering Palm Fruit, a Fisherman&#8217;, by Gerald Spencer Pryse. Chosen by Kofo Kego Oyeleye to explore inequality in trade and migration<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>&#8220;That led me to ask some questions about the museums and galleries in the UK&#8221;<br><\/p><cite>Kani Kamil<\/cite><\/blockquote><\/figure>\n\n\n\n<p>The exhibition is part of a greater project called Displacement Aesthetics,&nbsp;led by the University of Manchester and the University of Melbourne. The project focuses on the movement of culture and art that has been taken by the British empire. It asks individuals to reflect on cultural and artistic styles and pieces that are accessible in the UK, which have originated elsewhere<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1911\" height=\"2300\" src=\"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/persian-1.jpg\" alt=\"\" class=\"wp-image-9065\" style=\"width:687px;height:826px\" srcset=\"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/persian-1.jpg 1911w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/persian-1-249x300.jpg 249w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/persian-1-851x1024.jpg 851w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/persian-1-768x924.jpg 768w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/persian-1-1276x1536.jpg 1276w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/persian-1-1702x2048.jpg 1702w\" sizes=\"auto, (max-width: 1911px) 100vw, 1911px\" \/><figcaption class=\"wp-element-caption\">&#8216;Persian Falconer Tile Panel&#8217;, circa 1910, by Gordon Mitchell Forsyth, which was then manufactured by &#8216;Pilkington\u2019s Tiles&#8217; in Lancashire.<\/figcaption><\/figure>\n\n\n\n<p>The artists behind the exhibition chose pieces specifically to explore the feelings of displacement. It also displays how material and cultural assets were taken during Britain\u2019s tour of the Middle East to Asia. <\/p>\n\n\n\n<p>Kani stated: &#8220;I was eagerly searching for the stories of the objects and their journeys in their collections, such as who these items belong to, when it was made and who brought them, how did it come to this country in particular?&#8221;<\/p>\n\n\n\n<p>Hannah Williamson, a curator behind the exhibition told NQ: &#8220;It&#8217;s our job to reflect, respond to, and shape the cultural life of our city (&#8230;) and it&#8217;s about time we started to look about us, and notice that perhaps our city is leaving us behind. It&#8217;s no good having displays of old pictures that speak to only a very particular minority of people. The collection belongs to everyone in the city (and by extension the country) and there is so much more in the store than pictures of Roman countryside in hazy sunlight&#8221;<\/p>\n\n\n\n<p>The exhibition stands as cultural resilience where historical and modern day forms of displacement of art  are illustrated amongst a yellow wall. The focus time frame ranges from the forced migration during the Second World War and to contemporary society.&nbsp; <\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"845\" height=\"1024\" src=\"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/IMG_3162-845x1024.jpg\" alt=\"\" class=\"wp-image-9058\" style=\"width:630px;height:762px\" srcset=\"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/IMG_3162-845x1024.jpg 845w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/IMG_3162-248x300.jpg 248w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/IMG_3162-768x931.jpg 768w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/IMG_3162-1267x1536.jpg 1267w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/IMG_3162-1690x2048.jpg 1690w\" sizes=\"auto, (max-width: 845px) 100vw, 845px\" \/><figcaption class=\"wp-element-caption\">&#8216;Morning Sun&#8217; 1930, made by Benito Quinquela Martin. Chosen by Khaldi Alkhmri as it recalls their work in Syria.<\/figcaption><\/figure>\n\n\n\n<p>Moreover, as the exhibition challenges practices of displacement by Western countries, it works to give space to the voices of the artists that were hidden through the appropriation of art and culture.<\/p>\n\n\n\n<p>Kani stated that &#8220;the exhibition is an important showcase to depict their feelings, whilst also changing the western standard understanding of the grand tour, we need to revisit the way such material has been documented and understood&#8221;<\/p>\n\n\n\n<p>In particular, Kani Kamil&#8217;s &#8216;A whisper behind the Grand Tour&#8217; includes a Moorish Box enclosed with a Hashmi dress, a traditional Iraqi costume. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"662\" src=\"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/MOORISH-box2168-1024x662.jpeg\" alt=\"\" class=\"wp-image-9145\" srcset=\"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/MOORISH-box2168-1024x662.jpeg 1024w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/MOORISH-box2168-300x194.jpeg 300w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/MOORISH-box2168-768x496.jpeg 768w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/MOORISH-box2168-1536x993.jpeg 1536w, https:\/\/satellite.mmu.ac.uk\/northernquota-old\/wp-content\/uploads\/sites\/437\/2023\/01\/MOORISH-box2168-2048x1323.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Kami told NQ: &#8220;Moorish, the label itself reads as <em>others<\/em>&#8220;<\/p>\n\n\n\n<p> &#8220;<em>unrecognisable others<\/em>&#8220;<\/p>\n\n\n\n<p>The leaders behind the exhibition also highlight the importance of how migrant art has been categorised in ways that make non-western belongings impersonal. <\/p>\n\n\n\n<p><a id=\"_msocom_1\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A new exhibition in Manchester Art Gallery has been opened to the public, which explores the hidden voices behind the colonialism of art and culture&#8230;<\/p>\n","protected":false},"author":1614,"featured_media":9067,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[4972],"tags":[5101,5098,742,5096,1613,5097],"class_list":["post-9019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-cultural-resilience","tag-displacement-aesthetic","tag-manchester-art-gallery","tag-rethinking-the-grand-tour","tag-university-of-manchester","tag-university-of-melbourne"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&#039;Rethinking the Grand Tour&#039; 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