{"id":913,"date":"2017-02-14T12:35:38","date_gmt":"2017-02-14T12:35:38","guid":{"rendered":"http:\/\/wordpress.satellite.mmu.ac.uk\/northernquota-old\/2017\/02\/14\/album-review-sampha-process\/"},"modified":"2017-02-14T12:35:38","modified_gmt":"2017-02-14T12:35:38","slug":"album-review-sampha-process","status":"publish","type":"post","link":"https:\/\/satellite.mmu.ac.uk\/northernquota-old\/album-review-sampha-process\/","title":{"rendered":"Album Review &#8211; Sampha: Process"},"content":{"rendered":"<p>Life is full of processes, everything we encounter or go through happens through a process. This rings true for Sampha, much like his album, he&rsquo;s been floating around the vast space-time continuum that is the music industry like a lonely rocket man.<\/p>\n<p>He&rsquo;s made stops on other people&rsquo;s planets, most recently Solange Knowles&rsquo; multi-coloured black utopia that was <strong>Seat at the Table<\/strong>; he&rsquo;s frequently visited SBKRT&rsquo;s expansive landscape, and even flew on the coattails of the supernova known as Drake on<strong> Too Much<\/strong>.<\/p>\n<p>Nonetheless, in his spare time, during his moments of peace, he&rsquo;s been crafting his own sound, which is impressive considering the amount of people he has written for or with, you&rsquo;d forgive him for having some elements of the artists he&rsquo;s worked with on this album, but that isn&rsquo;t the case at all.<\/p>\n<p>Something has to be said about his song-writing. It&#39;s poetry of the highest order the first verse of the opening track is one beautiful sentence &quot;<em>Magnetic light in the <\/em><em>blue-high<\/em><em> haze, a magnifying glass upon my face<\/em>.&quot;<\/p>\n<p>This sort of vivid storytelling is littered throughout the album, with songs like <strong>Blood on Me, (No One Knows Me) Like the Piano <\/strong>and <strong>Kora Sings<\/strong><em> <\/em>as he sings about the inner turmoil of the monsters we harbour on <strong>Blood on Me<\/strong><em>, <\/em>and the emotional roller coaster we go through with the loss lives we care so deeply for on <strong>Kora Sings<\/strong><em> <\/em>and<strong> (No One Knows Me) Like the Piano<\/strong>.<\/p>\n<p>Short and bittersweet is the best way to describe this album, each song is a short concoction of eclectic techno soul, sounds and grooves that warm the heart, choruses and breaks that sound like a Sunday morning in spring, special mention for <strong>Reverse Faults<\/strong> and its mixture of suspense building, hypnotic, glitchy synths and head nodding beat drop, magic.<\/p>\n<p>Bitter, however, because of the bleak subject matter that hits too close to home, hence it being the known unknown, all the problems you&rsquo;ve stuffed to the farthest corners of your deep and complex mind are brought to the forefront to by Sampha&rsquo;s beautiful beckoning call. The sign of a great artist, when his music goes far beyond evoking emotion; it puts you in state of self-reflection. You smell the blood on you; you&rsquo;re the one melting out here, <strong>Timmy&rsquo;s Prayer<\/strong><em> <\/em>is your prayer. Once you&rsquo;ve asked yourself <strong>What Shouldn&rsquo;t I Be<\/strong>, the process of becoming a better person begins.<\/p>\n<p>Rating: 9\/10<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Life is full of processes, everything we encounter or go through happens through a process. 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